“Exorcist” Director William Friedkin Attends an ACTUAL Exorcism

Sunday morning, May 1 of this year, was Father Amorth’s 91st birthday, but he had no plans to celebrate. He awoke just after dawn, said his usual morning prayers and one to Joseph of Cupertino, a 17th-century saint, and another to the late Father Candido Amantini, his mentor. Clutching a walking aid, he shuffled from his cell-like room to the dining room on the third floor of the Paulist Fathers residence, south of Rome’s historic center.

After his usual breakfast of caffè latte and biscotti, Father Amorth returned to his room, which had a tall window, a hospital bed, two chairs, and a wooden desk cluttered with pictures of the Virgin Mary and Padre Pio, a priest-mystic who experienced stigmata—bleeding wounds, corresponding to those inflicted on Jesus Christ on the Cross. For the next six hours, Father Amorth reviewed the mail requesting his services from around the world. Each letter contained tragic questions and appeals from people who knew Amorth only by name and reputation. He answered the letters, writing with a fountain pen, licking the envelopes and stamps himself. At two P.M., he knelt again to pray, then arose with difficulty, took up his walking aid, and made his way to an elevator, which took him to the first floor, where the small room dedicated to his work was located. The hallway was empty and dark. Whispering voices and footsteps could be heard, as from a tomb.

His old adversary was waiting.

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